The Oxford handbook of modernisms

The Oxford Handbook of Modernisms is an unparalleled resource. It extends thescope and depth of previous synoptic guides, bringing together new approachesto the more obvious themes of modernist studies as well as new research on the variety of cultural, aesthetic, and geographical factors that were intrinsicto the creation of modernism. INDICE: List of illustrations; List of contributors; Introduction; Frameworks; 1: Morag Shiach: Periodizing modernism; 2: Sascha Bru: Modernism before and after theory; 3: Finn Fordham: The modernist archive; Practices and perspectives; 4: Robert Hampson and Will Montgomery: Innovations in poetry; 5: David James: Modernist narratives: revisions and re-readings; 6: Michael Wood: The modernist novel in Europe; 7: Kirsten E. Shepherd-Barr: Staging modernism: anew drama; 8: Michael Valdez Moses: Modernists as critics; 9: Deborah Longworth: Gendering the modernist text; 10: Andrzej Gasiorek: Class Positions; 11: Robert L. Caserio: Queer modernism; 12: Joanne Winning: Lesbian sexuality in the story of modernism; 13: Jonathan W. Gray: Harlem modernisms; 14: Laura Doyle: Colonial encounters; 15: Tim Youngs: Travelling modernists; Contexts and conditions; 16: Nicholas Daly: The machine age; 17: John Xiros Cooper: Modernism in the age of mass culture and consumption; 18: Aaron Jaffe: Publication, patronage, censorship; 19: Suzanne W. Churchill and Adam McKible: Modernism in magazines; 20: Michael Bell: Primitivism: modernism as anthropology; 21: Daniel Moore: Questions of history; 22: Peter Osborne: Modernism and philosophy; 23: Matt ffytche: The modernist road to the unconscious; 24: Roger Luckhurst: Religion, psychical research, spiritualism, and the occult; 25: Michael Whitworth: Science in the age of modernism; 26: Marina MacKay: Violence, art, and war; 27: Alan Munton: Modernist politics: socialism, anarchism, fascism; Image, performance, and the new media; 28: James Donald: Cinema, modernism, and modernity;29: Elena Gualtieri: Photography: the age of the snapshot; 30: Sarah VictoriaTurner: Modernism and the visual arts; 31: Ramsay Burt: Dancing bodies and modernity; 32: Debra Rae Cohen: Modernism on radio; 33: Simon Shaw-Miller: Modernist music; 34: Christopher Crouch: Architecture, design, and modern living; Metropolitan movements; 35: Scott McCracken: Imagining the modernist city 1870-1945; 36: Andrew Hussey: Paris: symbolism, impressionism, cubism, surrealism; 37: Richard J. Murphy: Berlin: dada, expressionism, Neue Sachlichkeit; 38: Andrew Thacker: London: rhymers, imagists, and vorticists; 39: John J. White: Futurism in Europe; 40: Martin Halliwell: The modernist Atlantic: New York, Chicago, and Europe; 41: Nathan Waddell: Modernist coteries and communities; National and transnational modernisms; 42: Margery Palmer McCulloch: Scottish modernism; 43: Carol Taaffe: Irish modernism; 44: Daniel G. Williams: Welsh modernism; 45: Timothy O. Benson: Central Europe; 46: Emily Finer: Russian Modernism; 47: Anker Gemzøe: Nordic modernisms; 48: Dean Irvine: Modernisms in English Canada; 49: Donald L. Shaw: Hispanic literature and the problem of modernism; 50: Dave Gunning: Caribbean modernism; 51: Tim Woods: Modernism and African literature; 52: Supriya Chaudhuri: Modernisms in India; 53: Prudence Black and Stephen Muecke: Antipodean modernisms: A

• ISBN: 978-0-19-954544-5
• Editorial: Oxford University
• Encuadernacion: Cartoné
• Páginas: 12
• Fecha Publicación: 16/12/2010
• Nº Volúmenes: 1
• Idioma: Inglés