Anglo-American: artistic exchange between Britain and the USA

For the first time, a set of distinguished American and British art historians consider the complex history of Anglo-American relations from the colonial period through to the 1960s Features a transatlantic group of scholars considering the impact of this relationship on the history of art in both nations Offers a set of new approaches, and much new material relating to the history of British and American art Situates the history of British and American art in the context of recent scholarship, offering a new reading of this key artistic interaction INDICE: Notes on Contributors. Anglo-American: Artistic Exchange between Britain and the USA (David Peters Corbett and Sarah Monks). The Wolfe Man: Benjamin West's Anglo-American Accent (Sarah Monks). Failure to Deliver: Watson and the Shark and the Boston Tea Party (Jennifer L. Roberts). Picturesque Nostalgia as Ironic Dislocation: Joshua Shaw's Disruptive Visions of the Old New World (Kenneth Haltman). Details of Absence: Frederic Church and the Landscape ofPost-Emancipation Jamaica (Jennifer Raab). Troubled Abstraction: Whiteness inCharles Dana Gibson and George Du Maurier (Jennifer A. Greenhill). In seen and unseen places': The Henry G. Marquand House and Collections in England and America (Melody Barnett Deusner). Camden Town and Ashcan: Difference, Similarity and the Anglo-American' in the Work of Walter Sickert and John Sloan (David Peters Corbett). Losing Sight: War, Authority, and Blindness in British and American Visual Cultures, 1914-22 (David M. Lubin). The Madness of Art: Georgia O'Keeffe and Virginia Woolf (Alexander Nemerov). Strange Encounters': Claes Oldenburg's Proposed Colossal Monuments' for New York and London (Jo Applin). David Hockney: A Taste for Los Angeles (Cécile Whiting). Index.

• ISBN: 978-1-4443-5143-9
• Editorial: Wiley-Blackwell
• Encuadernacion: Rústica
• Páginas: 263
• Fecha Publicación: 02/03/2012
• Nº Volúmenes: 1
• Idioma: Inglés