In this penetrating study, Russell Stinson considers how four of the greatestcomposers of the nineteenth century-Felix Mendelssohn, Robert Schumann, FranzLiszt, and Johannes Brahms-responded to the model of Bach's organ music. His book represents a major step forward in the literature on the so-called Bach revival. INDICE: Introduction; 1.: Felix Mendelssohn Bartholdy (Youth. The GrandTour. Young Adulthood. The Leipzig Bach Recital /; The Final Years); 2.: Robert Schumann (Leipzig. Dresden and Beyond); 3.: Franz Liszt (The Traveling Virtuoso. Weimar. Transcriptions. Relationship with A. W. Gottschalg /; The MasterTeacher); 4.: Johannes Brahms (An Overview. Brahms as a Scholar of Bach's Organ Works. Theoretical Sources;. The Influence of Spitta's Bach Biography. Brahms's Inscriptions in the Organ-Music Volumes of the Bachgesellschaft Edition. The Marking of Themes and Motives. The Marking of Musical Form. The Marking ofRhythmic, Harmonic, Melodic, and Contrapuntal Irregularities Comparative Readings, Suggested Readings, and Corrections. The Marking of Ornamentation. Fingerings. Miscellaneous Annotations. Brahms as Scholar-Composer: the Eleven Chorale Preludes, op. 122. ); Appendix: Johannes Brahms's Study Score of the Fantasy in G Major, BWV 572; Notes; Literature Cited
- ISBN: 978-0-19-974703-0
- Editorial: Oxford University
- Encuadernacion: Rústica
- Páginas: 240
- Fecha Publicación: 29/04/2010
- Nº Volúmenes: 1
- Idioma: Inglés