What happens when women tell their own stories in film? In .What If I Had Been the Hero?,. Sue Thornham addresses this question through an exploration of awide range of films, from experimental feminist film to mainstream Hollywood,and from the 1970s to the present day, by film-makers including Sally Potter,Jane Campion, Deepa Mehta, Patricia Rozema and Lynne Ramsay. Her discussion takes in films from India and Argentina as well as Europe, Canada, Australia and the US.Not content to take the 'post feminist' makeover film or the figure of the 'action chick' as evidence of women's increased power and status, Sue Thornham raises key issues about women as authors, subjects and heroes of their narratives. She argues that simple reversals of gendered positions of hero/heroine, active/passive, and subject/object are not enough. Drawing on a wide range of feminist theoretical sources, .What If I Had Been the Hero?. makes an important intervention into contemporary debates, situating film-making within arich history of female creativity, and insisting on the continuing importanceof feminist theory. INDICE: Acknowledgments.Introduction.PART I: QUESTIONS.What if I'd Been the Hero?.Women's Liberation Cinema?.Unexplored Territories.PART II: EXPLORATIONS.Heroes and Writers.Landscapes and Stories.Bodies and Passions.Conclusion: Unfinished Business.Postscript .Notes.Bibliography .Index.
- ISBN: 978-1-84457-363-9
- Editorial: British Film Institute
- Encuadernacion: Rústica
- Páginas: 248
- Fecha Publicación: 13/07/2012
- Nº Volúmenes: 1
- Idioma: Desconocido